Color Bind?

Forgive me for using such a common pun but I just couldn't come up with another title for this post :)

Anywhoo . . .

I seem to collect thread. It's not intentional, at least no more intentional than simply and uncontrollably being drawn to something that you love. Forgive me for using such a common pun but I just couldn't come up with another title for this post :)Of course I collect more than I should. I will "temporarily" misplace a thread, being absolutely convinced that it is the only color that will work for my project, I hastily order it. Usually, by the time the replacement thread arrives in the post, I've already located the original thread and dismissed it as not being quite right for that project. So now I have two. When I shop at my LNS I go there with the sole purpose of selecting linens, because I have more than enough thread. Of course, I use the thread there to guide the color selection of the linens and then when I find a combination I absolutely love I convince myself that I don't already own whatever skeins I've chosen so I have no choice but to buy them along with the linen. So again I end up with two skeins of the same color and in some particularly embarrassing cases, three skeins.

Having multiple skeins of the same color has led me to a bit of a problem this morning (yes, too much thread can be a problem).

I adore hand-dyed threads, especially Gentle Arts. To each his own, but for me the color and shading cannot be matched by commercially dyed threads and I rarely stitch with anything else. Anyone who has stitched with hand-dyed threads knows that there are differences between dye lots. Usually these differences are very subtle.

Two skeins of Gentle Arts Old Hickory. One I ordered online and one I purchased at my LNS, scant months apart. The skein on the left is just slightly darker and more brown than the skein on the right. A set such as this is wonderful for shading or for making a part of a sampler appear stained with age. At least that's what I would do. The difference is barely noticeable, as my husband couldn't see any difference at all. Do you see a difference?

Two skeins of Gentle Arts Harvest Basket. Similar method of acquisition of as with the Old Hickory thread. The skein on the right is certainly more yellow whereas the one of the left just appears brown (at least to me). More than a subtle difference but certainly nothing to get all worked up over, right?

Finally, two skeins of Gentle Arts Walnut. To be honest, these were most likely purchased years apart but when I purchased the most recent one from my LNS there were skeins there of both shades. Even my husband noticed the difference between these two skeins. The skein on the right was bought specifically because it was such a different color than what I remembered it being.

This post does have a point to it, I promise. I'm beginning work on a few samplers and I have chosen one of each of these skeins to use, two on the same project. Obviously thread suggestions are just that . . . suggestions . . . but do you ever purchase a pattern intent on achieving the same look as in the model? Does it bother you when you go to purchase the threads or gather them from your stash and realize that one or a few or none of them look as they do in the photo? I would hate for anyone to be disappointed after purchasing one of my patterns and was hoping all of you could give me your input into this little color conundrum I seem to have created for myself.

xoxo

Jennie Lynn

Keeping Threads

The arrival of the new threads from Gentle Arts was the perfect excuse to continue my organization. My threads are already (reasonably) well organized into little shoe boxes. I tied painted scraps of fabric onto the boxes to denote what colors are stored inside. The threads themselves are stored in little baggies; it's the only way I've come up with to keep the skeins and loose threads all together. Whenever I'm working on a project I simply take out the box of the color I'm looking for and sort through until I find the perfect one. My problem arises in that I usually have to take out several before I decide and the "rejects" are simply tossed in a basket to be put away later. I have such a basket in almost every room of my house, as I'm always chasing the sunlight throughout the house when choosing colors. The basket in the photo is just one of many and I'm ashamed to say they were all overflowing.

What seemed a reasonably simple task quickly became something more. The boxes already house more than one color thread: green and blue, orange and yellow and so on. Both to fill the box and to make color placement easier. Still I end up with a brown that is awfully golden, a blue so deep it could be black, and a green that could be brown. Of course, I think a large part of it has to do with my mood. I'll put a particular color in with yellow and then when I finally find it a few months later wonder why on earth it wasn't where it belonged in with the browns. I think I might be making this more complicated than it needs to be :)

I decided to pull out of the boxes all of my DMC threads and store them somewhere else. Where else I haven't decided yet. I also took out all of my Gentle Arts Simply Wool threads and am now keeping them with my wool scraps. I use them almost exclusively for wool applique so this just makes more sense. Or at least it does to me now. Aren't the colors beautiful? They're slightly different in color than their cotton thread counterparts. I don't use them very often but after seeing this photo I'm wondering why not.


I've tried so many different ways to organize threads and am always searching for the next "better" way. How do you keep your threads?

xoxo

Jennie Lynn